The Hunt For The Six Forgotten Giants

The best thing about The Hunt For The Six Forgotten Giants is that it gets you out of central Copenhagen and into the woods, hills, and quiet edges of the city. Thomas Dambo’s huge wooden figures are not lined up for easy viewing. You find them tucked into natural spots, beside paths, under bridges, and on open ground with room to climb, explore, and take pictures.

I like the small group, capped at six, and the fact that your guide drives between the sculptures instead of making you solve a complicated public transport puzzle. I also like the human touch: guides such as Milad and Ahmed have been praised for taking photos, answering Copenhagen questions, and keeping the group involved. The main catch is simple: this is not a sit-back car ride. Several stops require a fair amount of walking, and the small vehicle may feel tight when full.

Six giants, one half-day, and plenty of fresh air

• Three sculptures before the break: Find Sleeping Louis, Hilltop Trine, and Oscar Under The Bridge.
• Three more figures after coffee: Continue to Thomas on the Mountain, Little Tilde, and Teddy Friendly.
• Small-group transport: A private car carries up to six people between the sites.
• A guide-led search: Your host provides stories about the sculptures and the surrounding areas.
• A practical weather plan: Bring water, sturdy shoes, and clothing for rain, wind, or changing temperatures.
• A different side of Copenhagen: Spend part of the day in suburban nature instead of only in the old center.

Why these giant sculptures are worth the trip

Thomas Dambo builds large, playful figures from recycled materials and places them where people might not otherwise go. The point is not simply to photograph a giant. You are encouraged to seek it out, walk toward it, and notice how the sculpture fits into its surroundings.

That makes this experience feel more like a treasure hunt than a standard sightseeing loop. One giant may appear beside a bridge, another from a hilltop, and another among trees or near water. You get a reason to pay attention to the setting, not just the object.

The figures are also interactive in a way that many city monuments are not. Children can climb on them, and adults can get close enough to appreciate the woodwork and scale. You will want your camera ready, but allow time to look around before rushing to the next picture.

This is also a useful choice if you have already covered Copenhagen’s main sights. Four hours away from the center gives you a change of pace without requiring a full-day trip into another part of Denmark. You still return to the same meeting point, so the outing fits neatly into a longer city stay.

Starting at Valdemarsgade at 10:00 am

You meet at Valdemarsgade 15 at 10:00 am. The meeting point is near public transportation, which helps if you are staying in central Copenhagen or arriving by bus or train.

The group size matters here. With no more than six people, the guide can speak to everyone, help with photos, and adjust the pace more easily than on a large coach excursion. Several accounts describe the experience as personal, with guides making an effort to speak with each family or solo participant.

The drive out is part of the appeal, but do not expect a sightseeing commentary for every minute on the road. The important benefit is convenience. You can reach six separate sculpture sites in one morning without arranging several connections or trying to follow scattered directions.

Guides named in the feedback include Milad and Ahmed, with Milad receiving repeated praise for his friendly manner, safe driving, organization, and help with photos. One guide was a former teacher, which may explain the storytelling and steady effort to keep the group engaged. The exact guide can vary, so treat those names as examples rather than a guarantee.

Sleeping Louis, Hilltop Trine, and Oscar Under The Bridge

The first three stops introduce the basic rhythm of the outing. You leave the car, walk to a sculpture, spend time exploring and photographing it, then return for the next drive.

Sleeping Louis is presented as the dreamer of the group. The appeal is in the surprise of finding a giant figure resting in an unexpected outdoor setting. You get a strong first impression of Dambo’s playful scale, especially if this is your first time seeing one of his works.

Hilltop Trine offers a different setting. The name points to a high position, and the stop is meant to give you a broad view around the sculpture. This is one place where shoes matter. A hill can mean uneven ground, a climb, or a longer walk from the vehicle. Take your time if wet weather has made paths slippery.

Oscar Under The Bridge adds the most obvious element of discovery. A sculpture beneath a bridge is easy to miss if you do not know where to look, which is exactly why a guide helps. The setting also gives you a different photo backdrop from the open hillside and wooded areas.

These first three stops are not major attractions with visitor centers or formal facilities. They are outdoor art sites. You may encounter mud, narrow paths, damp grass, or a little wildlife. That is part of the charm, but it also means you should not dress as if you are spending the whole morning in a museum.

The coffee break is more than a quick drink

Between the first and second group of giants, you get tea or coffee. Biscuits have also been provided on some outings, although the official inclusion is tea or coffee, not a meal.

The break gives your legs a pause and lets the group settle in. One especially appealing version of the stop took place in a small hut under trees beside a lake, with rain falling outside. That is a fine example of Danish hygge, the comfort of a warm drink, simple food, and shelter in an attractive setting.

Do not count on the exact hut or scenery every time, since the precise break location is not specified. Do count on a short refreshment stop and bring water of your own. Four hours of driving and walking can leave you thirstier than expected, especially on a warm day.

The break is also useful socially. The small group format gives you time to chat with the guide and the other people in the car. Solo participants and couples may find this easier than joining a large bus where everyone disappears into separate clusters.

Thomas on the Mountain, Little Tilde, and Teddy Friendly

After the break, the route continues to the final three giants.

Thomas on the Mountain emphasizes height and viewpoint. The site gives you another reason to look beyond the sculpture itself and notice the ground around it. If you enjoy photographs with a sense of scale, this may be one of the stronger stops.

Little Tilde is described as the cutest giant, which fits the playful character of the whole project. The name suggests a smaller figure, but remember that these are still large outdoor sculptures. The contrast between a friendly name and an oversized wooden form makes this a good stop for families.

Teddy Friendly rounds out the group with the most cuddly-sounding character. Children tend to connect with the figures quickly because they look like giant storybook creatures rather than serious public monuments. Adults get a chance to see how the artist uses location, shape, and humor to draw people into natural areas.

The six stops are distinct enough to avoid feeling like the same photo repeated six times. You see different surroundings, different approaches, and different ways the sculptures invite you to interact with them. Still, the experience is built around one artistic project. If you are not interested in outdoor sculpture, the six stops may feel repetitive.

How much walking should you expect?

The car reduces the long distances between sculptures, but it does not remove the walking. Some sites involve only a short approach. Others require a longer walk through outdoor areas, and you should expect to log a fair number of steps.

The activity is best for people who enjoy walking and can manage uneven ground. It may not suit anyone with serious walking difficulty or trouble getting in and out of a car. One outing took longer because a participant had difficulty with mobility, so the pace can be affected when the group includes someone who needs extra time.

That is not a criticism of the guide. It is a practical reminder to judge the tour by your own ability. If you have a knee, hip, balance, or stamina concern, ask before booking. Guides may be helpful, but the program is not designed as a mobility-accessible sightseeing route.

Wear walking shoes with a good grip. Bring a water bottle, and dress in layers. Denmark’s weather can turn from pleasant to wet or windy without much warning. Some guides carry umbrellas, and one guide helped when a participant suffered an unrelated knee injury, but you should still arrive prepared rather than depend on emergency supplies.

What the guide adds to the experience

A map can help you locate public art, but a guide changes the feel of the day. You get context about the giants, the places where they are installed, and the surrounding areas. The best guides also notice when someone wants a photo, has a question, or needs a slower pace.

Milad is repeatedly singled out for being welcoming, organized, and good with questions about Copenhagen and Denmark. Ahmed is also praised for explaining the giants and taking photos. The comments describe guides who keep conversation moving without turning the whole outing into a lecture.

That personal contact is especially useful in a group of four or fewer. You can ask about other things to do in Copenhagen, get help framing a picture, or learn more about why a particular location was chosen. If the car is full, the space is less generous and individual conversation may be harder.

The guide also handles the route. You do not have to spend your morning checking directions or wondering if you have missed a sculpture in the woods. For a visitor with limited time, that convenience is a large part of the value.

Is $142.47 a fair price?

At $142.47 per person, this is not a cheap way to see public art. You are paying for a four-hour private vehicle outing, a small group, a guide, and the time saved by reaching six scattered locations in one morning. Tea or coffee is included, but meals and accommodation are not.

I think the price makes the most sense for you if you place a high value on convenience and personal attention. Reaching all six giants independently could require research, several transport decisions, and more time. The tour also makes it possible to see the sculptures during a short Copenhagen stay.

The value is weaker if you already have a car, enjoy route planning, or only want to see one or two giants. The figures are free to view, and the tour does not include a paid attraction or a substantial meal. You are mainly paying for transport, guiding, and a smooth half-day plan.

The maximum of six helps defend the price. A large coach would make the outdoor search feel less personal. A small group also makes it easier for the guide to take pictures and keep everyone together at the stops.

Who should book this Copenhagen outing?

I would choose this tour for families with children who can handle a longish walk, solo visitors who enjoy meeting a few people, couples wanting a break from the old center, and art fans who came to Copenhagen partly for Thomas Dambo’s work.

It also suits anyone who likes a little uncertainty in a day out. You are not walking from one famous building to another on a polished route. You are heading into suburban areas and nature, looking for oversized wooden figures in places that feel deliberately tucked away.

I would hesitate if you want a completely accessible activity, dislike outdoor walking, or expect a full cultural tour of Copenhagen. This is not a general city highlights tour. It gives you one focused theme, six free outdoor sculptures, and a change of setting.

Free cancellation is available if you cancel at least 24 hours before the 10:00 am start. Changes or cancellations inside that window are not accepted for a refund.

Should you book The Hunt For The Six Forgotten Giants?

Book it if the idea of finding giant wooden characters in quiet outdoor places sounds better than spending another half-day among central Copenhagen’s streets. The strongest reasons are the small group, private transport, photo help, and the chance to see all six figures without building your own route.

Think twice if walking is difficult or if $142.47 feels high for free sculptures. The experience earns its price through access and convenience, not through entry fees. For families, art fans, and anyone with limited time, that trade can be worthwhile. For independent explorers with plenty of time, it may be better to choose one or two giants and go on your own.

FAQ

Where does the tour start?

It starts at Valdemarsgade 15, 1665 København, Denmark.

What time does the tour begin?

The scheduled start time is 10:00 am.

How long does the activity last?

The activity lasts about four hours and returns to the original meeting point.

How many people can join?

The maximum group size is six people.

Is transportation included?

Yes. Private transportation between the sculpture sites is included.

Are drinks included?

Tea or coffee is included. Meals are not included.

Are all six sculptures visited?

Yes. The route includes Sleeping Louis, Hilltop Trine, Oscar Under The Bridge, Thomas on the Mountain, Little Tilde, and Teddy Friendly.

What should I bring?

Bring water, good walking shoes, and clothing suited to unpredictable Danish weather. The route includes outdoor walking and may not suit people with walking difficulties or other physical limitations.